Today’s topic is a 2-part episode which features my conversations with Brother John Glasenapp.

Brother John’s viewpoint on chant in the Church is deeply rooted in a full historical context, which is what we’re to discuss today. Why can chant be challenging to today’s pastoral musicians? What are the roots from which chant was created? What are the roots of chant in the Catholic Church? How did we get here? And what can we do next?

Today on the podcast I sit down with Stephen Steinbeiser.

For 33 years Steve served as Director of Music and Liturgy for Duquesne University in Pittsburgh, PA. During his time at Duquesne, Stephen also served as the national Chair of the Campus Ministry section for NPM.

Steve’s strengths always lies in inclusion and activation. He always made sure that all campus ministry musicians were included and that their gifts would be fostered and grow. And in our case, campus ministry musicians didn’t necessarily mean music majors! Nevertheless, they all had a place at the table to minister, and Steve taught us how important that was.

Today on the podcast I have the pleasure of speaking to Dr. Mickey Thomas Terry. Dr. Terry is a lecturer at Howard University in Washington, D.C. and Dr. Terry has also taught on the faculty of Georgetown University in Washington, DC. He is also Director of Music at Epiphany Catholic Church in Georgetown. He is the recipient of the 2020-2021 Artist Fellowship awarded by the District of Columbia Commission on the Arts and Humanities. A current biographical sketch of Dr. Terry also appears in Who’s Who in America. Dr. Terry is the editor of a critically-acclaimed multi-volume (currently 8 vols) African-American Organ Music Anthology published by MorningStar Music Publishers (St. Louis, Missouri). I met Dr. Terry in 2011 in a masterclass as I played from the African-American Organ Music Anthology. He was kind enough to discuss the Organ Music Anthology, as well as the struggles of African-American Organ composers and African-American classical composers.