#027: Ministering in Time of Scandal

Last week, I began our show with a joke. It’s hard to imagine starting with a joke today. This past week, the grand jury report investigating the sexual abuse of minors within six dioceses in Pennsylvania was released. We’ve all been reeling, trying to navigate the flood of emotions: shock, horror, disgust, anger, grief. 

I know, too, that many of you feel doubly lost. Lost because of this range of emotions, yes, but also lost because you are unsure of how to respond. Unsure of how you yourself should move forward, but also unsure of how to respond to the questions and hurt and anger of others. Pastoral ministers are visible, we are accessible, and we can often become the go-to people for members of our communities. But, what do we do when we don’t know what to say? What do we do when we, too, are angry and outraged?

I’m not sure that I know exactly what to feature, or whom to speak with, in order to help in this critical time. I do know that it’s important to address this head on and to keep the conversation open. So, today, I’m offering what follows in the hopes that, wherever you are on this journey, you might find something of value.

 

SHOW NOTES

The recording of "Stumbling Blocks and Stepping Stones" was produced by GIA Publications. The piano recording of "Balm in Gilead" was performed by Fr. Robert Koopmann, OSB, on the album Sacred Improvisations

You can find additional resources here:

1. GIA Publications "Hymns for Healing"

2. World Library Publications "We Stand in Hope"

3. PrayTell Blog "Preaching Abuse" and "When a Solemnity and Scandal Fall on the Same Day"

4. Fr. James Martin "The Virtues of Catholic Anger"

5. New compositions by Zack Stachowski and Orin Johnson

You can read the full text of Lumen Gentium by visiting the Vatican website.

Visit NPM's digital resource library, referenced at the end of the episode. 

All content of this podcast is property of the National Association of Pastoral Musicians or its content suppliers and is protected by United States and international copyright laws. For information about the podcast and its use, please contact us.

#026: Music Theory, Revisited (with Keith Kalemba, ft. Aaron Copland)

Keith Kalemba

Keith Kalemba

When you look at those of us serving in the ranks of pastoral musicians, the variance in our music training is just as vast as the variance in our training in scripture, or liturgy, or theology. Some of us took lessons when we were growing up, and some of us learned to play by ear. Some of us studied music in college or graduate school, and some of us haven’t studied formal music theory at all. 

Aaron Copland

Aaron Copland

Regardless, it is our contention that understanding and utilizing basic music theory concepts are important to effective pastoral music ministry. Today, our goal is to explore this assertion. It is my hope that we’ll challenge those of you who have not studied theory to begin to learn the basics, and that we’ll challenge those of you with years of study to use that information in ways that can boost the knowledge and skills of your ensembles and colleagues. To help us with these tasks, we’ll speak with Keith Kalemba, and we’ll hear from the writings of composer Aaron Copland in today’s Ministry Moment. 

 

SHOW NOTES

For more information about Keith Kalemba, visit his bio page at World Library Publications.

You can find the Interval Song Chart generator by visiting the EarMaster website.

The recordings of "Make Us True Servants" was produced by World Library Publications. "Eat This Bread" and "Give Us Peace" were produced by GIA Publications. The piano recording of "Resignation" was performed by Fr. Robert Koopmann, OSB, on the album Sacred Improvisations

Visit NPM's digital resource library, referenced at the end of the episode. 

All content of this podcast is property of the National Association of Pastoral Musicians or its content suppliers and is protected by United States and international copyright laws. For information about the podcast and its use, please contact us.

#025: The Singing Priest (with Fr. Ricky Manalo, CSP)

Fr. Ricky Manalo, CSP

Fr. Ricky Manalo, CSP

Pastoral musicians spend a great deal of effort trying to get people to sing. Our work is animated by the desire to assist the “full, active, and conscious participation” of every person in our assembly. We often select music that is familiar. We spend a great deal of time introducing new music with pedagogic strategies that are measured, reasonable, and pastoral. We put hymns in comfortable keys, we train instrumentalists to support congregational singing, and we form our cantors to be song leaders, not soloists. 

For the most part, I’m willing to be we do a pretty good job of promoting and facilitating the sung prayer of those gathered in the pews. But, there is another voice that may need a bit more coaxing and a more delicate pastoral approach. Whose voice is it? Your pastor. 

It can be difficult to get your pastor – or deacon, or bishop – to sing. Yet, singing is vital to our liturgy, especially for the role of the presider. The solutions can be tricky because the cause of the hesitancy – or refusal – on the part of your pastor can be varied and complex. To peel back these layers and to discuss some strategies, we turn to Fr. Ricky Manalo. We’ll hear one of Fr. Ricky’s compositions in today’s Ministry Moment. 

 

SHOW NOTES

For more information about Fr. Ricky Manalo, CSP, and his other compositions, visit his composer page at OCP and his personal website

To listen to the Open Your Hymnal podcast episode featuring Fr. Ricky's song, "Many and Great," visit the Open Your Hymnal website. 

The recordings of "Transfiguration" was produced by OCP. "Eat This Bread" and "Give Us Peace" were produced by GIA Publications.

Visit NPM's digital resource library, referenced at the end of the episode. 

All content of this podcast is property of the National Association of Pastoral Musicians or its content suppliers and is protected by United States and international copyright laws. For information about the podcast and its use, please contact us.